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Home::Entertainment
An Interview with Angus Young of ACDC - Why He Plays a Gibso
Author : Steven Rosen
Steven:
Maybe more than any other guitarist ever, you’re inextricably linked to the
Gibson SG? What was the evolution that brought you to this particular
instrument?
Angus:
I started playing on banjos and re-strung them up with six strings. [But]
an acoustic guitar, an old bang up little ten-dollar job, that was probably
the first thing I started playing on. Me brother Malcolm got a Hofner off
of one of me other brothers and he got a Gretsch and passed the Hofner on
to me after much squabbling.
It was semi-acoustic and had all been packed with cotton. But I never used
to really take it as a serious thing; I just used to fool around with it.
When I was about 14 was when I really started playing it seriously. I got
an amplifier for about sixty bucks that used to distort all the time. It
was a Phi-Sonic. After that I got out and got a Gibson SG that I played
until it got wood rot because so much sweat and water got into it. The
whole neck warped. I bought it second-hand, it was about a ’67. It had a
real thin neck, really slim, like a Custom neck. It was dark brown. After
about a year, you lose about half the power in the pickups so you either
get them re-wired or put new ones in. Just ordinary Gibsons.
Steven:
Did these early instruments still have that tremolo arm attached?
Angus:
They did but I took it off. I used to fool around with them but you begin
sounding like Hank Marvin.
Steven:
And why did you remain loyal to the Gibson SG for the remainder of your
career?
Angus:
It was light [weight-wise]. I’d tried the other ones, Fenders, but you’ve
really got to do a number on ‘em. They’re great for feel but the wiring
just doesn’t got the balls. And I don’t like putting those DiMarzios and
everything because everyone sounds the same. All the other sort of Gibsons
I tried like the Les Paul was too heavy. Hip displacement.
When I first started playing with the SG there was nothing to think about.
I don’t know how this came about but I think I had a lot thinner neck.
Someone once said to me they [Gibson] make two sized necks, one was 1 ½ and
one was 1 ¼ and this was like 1 ¼, thin all the way up. Even now I still
look all over and I still haven’t found one; I’ve been to a hundred guitar
shops and I found the same guitar [model] but with different necks.
Steven:
Did you ever experiment with the Gibson SGs when they were called Les Pauls
[Eric Clapton’s graphically appointed Cream-era guitar is probably the most
famous representative of this model]?
Angus:
Yeah, I had a really old one I bought, a 1962. But it had a very fat neck;
it was good to play but it felt heavier than all the other ones. That’s why
I stopped using it. And when you’re running around a lot, it weighs you
down.
Steven:
So from High Voltage on it’s always been the SG. Have you ever tried using
more modern types of instruments?
Angus:
Yeah, I tried a Hamer but I wouldn’t buy an expensive guitar – especially
in my case. It’s always getting beaten around. With the SG, you can do
plenty of tricks with them.
Steven:
And you’ve been faithful to Marshall amplifiers as well?
Angus:
Ever since I’ve been in this band I’ve been using Marshalls. I’ve tried
Ampeg and they weren’t too good for the sound I wanted.
On stage I have four stacks going, all hooked up with splitter boxes.
100-watt stacks … it’s good for your eardrums. I use a real lot of volume,
I turn that up; I turn the treble and bass on about half and middle, the
same. I don’t use any presence. If I don’t think it’s putting out enough
top, I will kick up the presence.
With Marshalls, if you’re using a fair bit of volume, if you whack the
treble and bass at half, that’s where they’re working. We get them from the
factory, that’s what we do. We go down there and try them out and fool
around with amps and tell them what we want and they doctor them up. At the
moment, they’re all back to the old style of Marshalls, they’re very clean.
They don’t have these master or preamp settings.
Steven:
You have entered the modern age of electronics in your use of a wireless
system.
Angus:
Yeah, I use the Schaffer-Vega. I’ve been using that since ’77. On the
receiver you’ve got like a monitor switch you can boost the signal and in
the transmitter you’ve got the same sort of thing. You can really give a
guitar hell with ‘em. I have used the remote in the studio and it worked
really good. I don’t believe I’ve ever had a wah-wah or a fuzz box. It’s
just the guitar and the amp and if I need anything, if someone says they
want a different approach to the sound, then I’ll get it with the guitar.
About the Author
Steven Rosen is a Rock Journalist. Since 1973 he has accumulated over 1000 hours of audio content and 700 articles and interviews...all now available for licensing or purchase. http://www.classic-rock-legends-start-here.com/classic-rock-interviews.html">Contact Steven Rosen
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